As long as you are not anticipating added tools, Digital Performer is still a leading tool for MIDI composition and scoring for film, and it’s also refined enough otherwise to perform as a remarkable all-around DAW.
If there is only a single digital audio workstation package that’s more firmly linked with the Mac than any other, it’s Digital Performer of Motu. In the digital audio-enabled version’s 11th iteration, the flagship DAW of Motu is still a premier tool for MIDI composition and film scoring, and it is having enough audio-editing equipment for serving as a solid all-around multitrack recorder. We have been making use of Digital Performer on and off for about 30 years, with our first exposure being with the MIDI-only Performer in a college music lab on a Mac IIsi. This last version is a true pleasure to perform with—that is, as long as you are not anticipating much in the way of tying virtual tools.
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If you have used Digital Performer before and even twenty years ago—you would discover the chief client interface environment instantly familiar. The integrated interface gives you permission for displaying a large number of views at a time, having the arrangement, the mixing board, and designation if you so desire. We found that we admired working with the Tracks view on the above and the mixer on the lowest side except when editing the particular MIDI notes and clips, but you can be able to produce just about any setup utilizing the horizontal and perpendicular drawbars in each of the windows.
There are some of the Extra themes which provide you with many of the choices for the whole look of the project, meanwhile, it’s not only of its color—the sliders, pan pots, and meters also alter with each of the themes. The one chief bugaboo is the minute and little size of the labels and text, however, you can ultimately address it these days with the built-in accenting features.
